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Composition: Ensemble
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Unique Accidentals: 1
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Bach
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Ich steh' an Deiner Krippen hier
Großer Bachist
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 0 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 0 4 100%
Contrabass Bass 14 0 0 4 100%
Euphonium Bass 12 0 0 4 100%
Flute Treble 14 0 0 5 100%
Soprano Treble 7 0 0 3 100%
Tenor Treble 8 0 0 4 100%
Violin Treble 15 0 1 6 100%
Violoncello Bass 14 0 0 5 100%
Oboe Treble 7 0 0 2 31%
 
Jesu, Joy of Man's Desiring - Bach - Brass Quintet!
Iowabob
2:45 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 5 100%
Tuba Bass 16 0 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 5 100%
Tuba Bass 16 0 3 5 100%
B♭
Trumpet		 Treble 16 0 2 4 97%
Treble 25 0 8 4 97%
Trombone Bass 7 0 1 4 45%
 
Johann Sebastian Bach - Marcha para Orquestra
mavojazz
1:20 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 12 0 1 4 100%
Violinos
1		 Treble 14 0 3 4 100%
Violinos
2		 Treble 14 0 3 5 100%
Violinos
3		 Treble 12 0 1 4 100%
Violoncelos Bass 15 0 1 4 100%
Tímpanos Bass 2 0 0 4 58%
 
Gottes Zeit ist die allerbeste Zeit. BWV 106
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Jesus Bleibet Meine Freude
SkGnam
3:07 Est. Play
Time
74 Measures
2,112Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 16 0 3 5 100%
Oboe Treble 22 0 7 3 94%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 16 0 3 5 100%
Oboe Treble 22 0 7 3 94%
Viola 13 0 2 5 94%
Violins
1		 Treble 22 0 7 3 94%
Violins
2		 Treble 16 0 3 4 94%
Alto Treble 8 0 2 4 45%
Bass Bass 12 0 1 4 45%
C
Trumpet		 Treble 7 0 1 6 45%
Soprano Treble 7 0 1 6 45%
Tenor Treble 8 0 1 4 45%
 
Nun danket alle Gott - Johann Sebastian Bach
Micrologus
0:40 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 7 0 1 7 100%
Treble 7 0 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 7 0 1 7 100%
Treble 7 0 1 4 100%
Horn Treble 8 0 1 6 100%
Trombone Bass 12 0 1 4 100%
 
Musette in D
emeraldimp
0:20 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 10 0 2 3 100%
Treble 14 0 2 3 85%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 10 0 2 3 100%
Treble 14 0 2 3 85%
Alto
Flute		 Treble 8 0 1 4 100%
Piccolo Treble 11 0 3 3 95%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
In dulci Jubilo BWV 368
musiescola
0:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 2 5 100%
Bass Bass 13 0 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 2 5 100%
Bass Bass 13 0 1 4 100%
Soprano Treble 8 0 0 5 100%
Tenor Treble 10 0 2 5 100%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140
Barock
0:44 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
9 0 0 4 23%
8 0 0 3 27%
B.c. Bass 19 0 3 4 100%
Violino
I		 Treble 22 0 5 6 100%
Oboe
I		 Treble 14 0 2 6 96%
Viiolino Treble 22 0 5 6 92%
Oboe
II		 Treble 12 0 0 5 77%
Taille 11 0 0 5 77%
Viola 13 0 1 5 73%
Violino
II		 Treble 12 0 0 5 73%
Corno
 5 0 0 1 38%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
BWV258N7 "Er ist auf Erden kommen arm"
edward.maurath
3:27 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
Bass 21 3 5 5 97%
Fagotto Continuo Bass 21 0 5 5 97%
Oboe d'amore Treble 18 0 5 6 94%
Soprano 10 0 1 5 47%
Bass Bass 15 0 6 4 17%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%